WHAT the museum is?
The definition seems inadequate training that deals with the "physics" of the museum. The part of the museum that deals with the right techniques or not, to provide a sample or exposure
This definition becomes more complex when we see that the museum is supplied in this field, experience that can only museology. Results grounds of the museum, the influence of the colors or the font of the brackets, the perception of sounds in the exhibition, the height of the panels or windows, and even the materials that have been used as part of an extensive body cumulative experience. But also solves the problems linked to the museum with their society: the generation of a communication with his audience, or the perception that the public has of the museum itself or are in the curating the concrete expression while a survey.
Museography part of a vast empirical body complex, which constitutes the support of a "theory", the museum itself, with its different views and ideologies. Thus, "museum theory", and while not saying so, ranging from the technological or communication, to the social, economic and political.
At the same time, it is specifying museology in the exhibition hall, museum curators what they think about the complexity of the museum and society. Knowledge, attitudes and values \u200b\u200bdesigned for and by the museum to be translated into colors, images, texts, sound, space, dimensions.
is therefore a spiral path, every exhibition is based on a concept and then gives an experience, then every experience generated after concept. Museography provides answers to problems, and then they are incorporated into the theoretical as solutions viable.
This feedback is not viable without constant evaluation, on a permanent critical in the proper selection of references for each case to solve. Nor can
-a risk of a dilettante - avoid "theoretical framework" of the museum, would circumvent the professionalism of museum curator.
Finally, can only act within the room of a museum by the reflection, which is the theory itself: think of a museum exhibition is thinking. We understand then the term closed spectrum theory as indisputable concepts, or as a look of scientific pretensions, but as a wide dynamic range of problems and responses, ranging from technical to social.
Since the museum curators tend to like the definitions, we can give one, then:
The definition seems inadequate training that deals with the "physics" of the museum. The part of the museum that deals with the right techniques or not, to provide a sample or exposure
This definition becomes more complex when we see that the museum is supplied in this field, experience that can only museology. Results grounds of the museum, the influence of the colors or the font of the brackets, the perception of sounds in the exhibition, the height of the panels or windows, and even the materials that have been used as part of an extensive body cumulative experience. But also solves the problems linked to the museum with their society: the generation of a communication with his audience, or the perception that the public has of the museum itself or are in the curating the concrete expression while a survey.
Museography part of a vast empirical body complex, which constitutes the support of a "theory", the museum itself, with its different views and ideologies. Thus, "museum theory", and while not saying so, ranging from the technological or communication, to the social, economic and political.
At the same time, it is specifying museology in the exhibition hall, museum curators what they think about the complexity of the museum and society. Knowledge, attitudes and values \u200b\u200bdesigned for and by the museum to be translated into colors, images, texts, sound, space, dimensions.
is therefore a spiral path, every exhibition is based on a concept and then gives an experience, then every experience generated after concept. Museography provides answers to problems, and then they are incorporated into the theoretical as solutions viable.
This feedback is not viable without constant evaluation, on a permanent critical in the proper selection of references for each case to solve. Nor can
-a risk of a dilettante - avoid "theoretical framework" of the museum, would circumvent the professionalism of museum curator.
Finally, can only act within the room of a museum by the reflection, which is the theory itself: think of a museum exhibition is thinking. We understand then the term closed spectrum theory as indisputable concepts, or as a look of scientific pretensions, but as a wide dynamic range of problems and responses, ranging from technical to social.
Since the museum curators tend to like the definitions, we can give one, then:
Museography exhibition is the practice of museology.
The Chair of Museology I tries to articulate that theory with practice that, to stop being a mere "common sense" and the professional work is affixed to creative thinking.
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